In this series of twelve photographs, taxidermy specimens are used to stage imagined nocturnal encounters between predators and their prey. The photographs gently parody the genre of hypervisual natural history documentaries we see on our televisions which tend to portray the natural world as exotic, dramatic and spectacular.
A further concern is to explore the nature of the still photograph in relation to the taxidermy specimens. Both, it would seem, attempt to give the illusion of life yet must make do with documenting the surface: bestilled, fixed, couched in a paradoxically eternal present tense.